Mother’s Day Special Amrita Singh, Kirron Kher, Dimple Kapadia – On-Screen Mums Who Broke The Traditional Mould!

Here is the rundown of on-screen moms, who set out to go the capricious way

From Amrita Singh to Kirron Kher, on-screen moms have set out to think outside the box. Here's a rundown of movies which exhibited mothers in an unpredictable way…

Kal Ho Naa Ho: Lilette Dubey played a hip bohemian NRI mother named Jazz who rivals her overweight little girl Delnaaz Irani to get male consideration. It was all done in the soul of fun however.

Devdas: Kirron Kher clamors around the house going to broken tops and breaking accounts, splits jokes before her withdrawn spouse and breaks into a move at her well-off neighbor's get-together. This was a mother with a distinction. This was a mother who wore the jeans in the crew.

2 States: Amrita Singh in 2 States plays a boisterous and stubborn lady. When her child acquaints her with his future wife's guardians, her comments get humiliating in their dogmatism and partiality. There is nothing bashful about this on-screen mother. This is a lady who is not obliged to act like a screen mother. She is straightforward in her inclinations, wild in her suppositions. She is a mother without doubts.

Aandhiyaan: When in 1990, Mumtaz chose to make a rebound, she played a hip single parent, singing melodies and acting in a most un-nurturing style with Prosenjit Chatterjee who played her childrens.

Kaagaz Ki Nao: all the way back in 1975, Helen played a single parent in this striking B.r. Ishara film. She set out to have an affection life in the film. At the point when little girl Sarika sees her mother engaging in sexual relations she can't manage the refinement of the customary mother-goddess figure. Sarika's character confers suicide.

Bhavna: In the film regulated by Vikram Bhatt's father Pravin Bhatt, the sari-clad ethically hindered mother transforms into a polished hooker in opening outfits and stunning wigs to provide for her child a good life after she is relinquished by her spouse. One of Shabana Azmi's most influential exhibitions.

Apnapan: Reena Roy's stellar execution as a mother who favors a vocation to the part of a home-creator. Obviously, the script makes her languish and cry over her wrongdoing. However Reena's vivacious execution saturated the mother-figure with substance, blood and nibble.

Akele Hum Akele Tum: Manisha Koirala surrenders her vocation to be a home-creator for Aamir Khan and their six-year-old child. Be that as it may when fatigue sets in, she leaves without the kid. Shockingly flighty, the film coordinated by Mansoor Khan, was enlivened by "Kramer vs Kramer". The mother in the first, played by Meryl Streep, was precluded care from claiming her tyke. In the Indian form, mother Manisha returns home. All is pardoned.

Listen… .Amaya: A widowed Deepti Naval with an adult girl advises the recent that she needs to remarry. The little girl Swara Bhaskar's stun, aversion and refusal to acknowledge that her mother is qualified for a life past that of a mother is symptomatic of a general public that reveres the mother figure at the expense of her particular joy.

Dil Chahta Hai: She is separated, dejected and regularly tipsy. Furthermore in view of the majority of the above Dimple Kapadia is not permitted to reach her youngster by her spouse. This was a true mother. She was permitted to be childish and human. More power to executive Farhan Akhtar.